signifies my intention to determine a rather general aesthetical frame for the work. The significance of the diatonic interval ceases to exist.įinally, the title Holophony, as an effort to give a term of a likely musical evolution, cf.: Monophony, Polyphony, Homophony. are replaced by expressions such as Noisy, Distorted, Squeaky, etc. In addition, tempo indications such as Allegro, Presto, etc. The basic elements for a thorough understanding of the work's abstract structural relations and behaviours are systematic morphological, timbral and synthesis procedures and models of the sound material and its chronotopological precision. Through spectromorphological processes, spectral content and sound objects constantly undergo transformations varied from 'sonic boom' to microscopic phase-shifting. Holophony is a kind of artistic or aesthetic simulation of that natural phenomenon. However, I have transferred it to the concert hall and applied it to musical instruments. This is the idea, the starting point of the work. As the sound approaches a listener it is perceived at a higher frequency and then, as it moves away, at a lower one. The Doppler Effect is a phenomenon whereby the perception of a moving sound varies according to its position in relation to the listener. It combines the symbolism of a concrète sound with an abstract sound object, that of the Doppler Effect. Holophony is a piece with a strictly monothematic character. An aesthetic approach to the Doppler Effect
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